Practice Log: major modulations
I observed some characteristics of moving from one major chord to another.
M chord interval away | n shared chord tones | chord tone (from->to) |
---|---|---|
m2 up, M7 down | 0 | |
M2 up, m7 down | 0 | |
m3 up, M6 down | 1 | 5->3 |
M3 up, m6 down | 1 | 3->1 |
P4 up, P5 down | 1 | 1->5 |
TT up, TT down | 0 | move m2,M2,m3 away |
P5 up, P4 down | 1 | 5->1 |
m6 up, M3 down | 1 | 1->3 |
M6 up, m3 down | 1 | 3->5 |
m7 up, M2 down | 0 | |
M7 up, m2 down | 0 |
There are two “cells” of chords:
- no common tones (+/-m2, +/-M2, TT)
- each of these can be alternated with the 1 chord to walk up the inversions
- creates synthetic scales
- with common tones (+/-m2, +/-M2, TT)
Again, this is only considering the major chords.